![]() To make professional photo editing a breeze, Photomator for Mac brings a powerful photo browser powered by Photos and a filmstrip that let you easily browse images and quickly jump into editing them. Photomator for Mac also brings your favorite AI features, such as automatic photo enhancement, denoising, image upscaling, and automatic subject, sky, and background selections. It includes next-generation color adjustments powered by an incredibly advanced texture-aware algorithm, powerful retouching tools, batch editing, and much more. In Photomator for Mac, you’ll find everything you need to edit and manage your photos. It’s packed with powerful photo editing tools If you’re curious about what makes Photomator for Mac so special, we’re here to share some great reasons that showcase its awesomeness. Built from the ground up for macOS, it runs incredibly smoothly and fast, redefining the photo editing experience on Mac. From state-of-the-art color adjustments to intelligent AI tools, powerful Repair and Clone tools, and batch editing, Photomator for Mac is a photo editing powerhouse. Today’s a big day! Our team has just released Photomator for Mac. The compressed Fujifilm RAW support is also not limited to Mac – you can open and edit these RAWs on your iPhone and iPad. You can nondestructively adjust colors, crop photos, remove objects, and even use Shortcuts and AppleScript to batch edit them or batch convert them into Apple-supported image formats. By using Apple’s RAW engine as a foundation, we ensure that this implementation remains entirely native, meaning that working with compressed Fujifilm RAWs will be just as smooth as working with any other image format. ![]() To address this, we’ve developed a brand new RAW pipeline, letting you open and edit compressed Fujifilm RAWs in Pixelmator Pro and Photomator. As a result, you cannot preview or edit these photos on Mac, iPhone, or iPad. While Apple devices offer support for many popular RAW formats, the increasingly popular compressed Fujifilm RAWs are currently not supported on macOS and iOS. This is an incredibly exciting milestone for us – for the very first time, we’re bringing support for RAW formats that aren’t natively supported by Apple! The updates also include the ability to open and edit compressed and uncompressed RAWs from the brand-new Fujifilm X-S20 model. Updates to both Pixelmator Pro and Photomator have just dropped, bringing support for compressed RAWs from more than 20 Fujifilm cameras, including the highly-requested X-T5 and X-H2 models. In the age of relatively cheap 8 and 10TB drives, this workflow is clearly an option and you don't have to worry about losing your edits should your RAW developer pull the rug out from under you.JPhotomator and Pixelmator Pro add compressed Fujifilm RAW support So I don't know that they are that much different than LR + PS.Īnd then there's more the old school approach where you "develop" all your RAWs as step 1, then use PS (or Affinity or ?) for all your editing. However internally they seem to be "RAW developer" and "pixel editor" rolled into one tool with a discreet step which converts RAW images to "pixel" (TIFF or PSD-like proprietary files) which can then be layered and blended and such. Not 100% sure, but it seem like the new "all-in-ones" Luminar and On1, try to combine both worlds into one package. for the foreseeable future a place where RAW editing goes "to a point" and then you do the heavy lifting (if needed at all) in PS/Affinity/Pixelmator. So I think we'll continue on the + path like LR+PS, C1P+Affinity etc. and it is obviously very difficult for them to include things like content-aware fill, advanced layer compositing, frequency separation, 20+ blending modes for layers etc. So my main concern is that RAW processors may not be "The Answer". but PhaseOne could pull the plug on C1P too, I realize that. I personally left LR a couple years ago for CaptureOne and don't regret it. LR users may face a similar dilemma in 2 years (my guess and fear) when/if LR "Classic" has it's plug pulled by Adobe and you'll have to switch to LR CC (Cloud) and pay through the nose for cloud storage ($600/year for 5TB is what I'd need to pay based on current pricing). Yes, LR and capture One (C1P) have an option to import other catalogs, but it is at best an estimation of the original and your images will not look the same. They have dangers too: the danger (in LR, C1P, the old Aperture let's say) is that your edits are stored in a database and the completed image does not exist until you export to JPG or TIFF or print.Īs Aperture users (like me) found out, if the company pulls the plug on your RAW developer, it's very difficult to migrate/preserve those edits to a new RAW developer (if not impossible). ![]() The RAW developers are great to a point then they stop. I have been wrestling with some of those thoughts too. ![]()
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